Visual kei band Dolly is back with their first new music in four years. The single "Un, Deux, Trois" (アン・ドゥ・トロワ) arrived on July 22 with a dreamy music video that reimagines the Cinderella fairy tale through the band's signature gothic lens.

The track marks a return to what fans loved about Dolly's earlier work: cabaret-inspired rock layered with jazz touches and ethereal vocals. The music video weaves live performance footage together with illustrated scenes from the classic fairy tale, matching the song's lyrical themes perfectly. It's the kind of visual storytelling that feels both whimsical and distinctly darker—think enchanted pumpkin carriage meets gothic atmosphere.

"Un, Deux, Trois" is available now on all major streaming platforms worldwide, and Dolly released it in two physical editions. The limited edition includes the title track, a newly rerecorded version of "Kuroneko Catherine" (黒猫カトリーヌ), and a card granting digital access to the music video. The standard edition features the title track, a rerecorded take on "SCRAP BULLET [7DAYS]," and an instrumental version of "Un, Deux, Trois."

To capitalize on the comeback momentum, Dolly also uploaded several classic music videos to their official YouTube channel over the past few days, including "Koushoku no Canary" (虹色のカナリア), "Moonlight Disco," "Gothic Party," and "Toki no Ressha" (時の列車). It's a solid move for fans looking to revisit the band's catalog or newcomers wanting to understand what makes Dolly tick.

For those unfamiliar with the band, Dolly represents a blend of visual kei aesthetics with accessible pop sensibilities—they're theatrical without being inaccessible. After four years away, "Un, Deux, Trois" proves they haven't lost their touch at crafting songs that feel both haunting and catchy.