FIFTY FIFTY's ATTRAKT Wins Partial Victory in The Givers Lawsuit
Seoul Central District Court ruled partially in favor of ATTRAKT in their 2 billion won damages lawsuit against The Givers, marking a significant development in the ongoing legal battle.

ATTRAKT has secured a partial victory in their legal battle against The Givers, with the Seoul Central District Court ruling in the agency's favor on January 15.
The 33rd Civil Division, presided over by Judge Choi Jong Jin, delivered a mixed verdict in ATTRAKT's lawsuit seeking approximately 2 billion won ($1.36 million) in damages from The Givers and its CEO. While the court granted ATTRAKT a partial win, the full details of the ruling and the awarded amount have not been disclosed.
This legal dispute stems from the complex situation that unfolded around FIFTY FIFTY last year, when the girl group became embroiled in a highly publicized contract dispute with ATTRAKT. The Givers, an external production company that worked with the group, became a central figure in the controversy as tensions escalated between the members and their agency.
FIFTY FIFTY gained international attention with their viral hit "Cupid," which achieved remarkable success on global charts before the group's activities were suspended due to the legal disputes. The members eventually parted ways with ATTRAKT, leaving the agency to rebuild the group with new members.
ATTRAKT's CEO has been vocal about seeking accountability from parties they believe interfered with the group's operations and contributed to the contract disputes. The agency argued that The Givers' actions caused significant financial and reputational damage to both ATTRAKT and the FIFTY FIFTY brand.
While today's ruling represents a legal victory for ATTRAKT, the partial nature of the decision suggests the court found merit in some but not all of the agency's claims. The specific financial compensation awarded and whether either party plans to appeal the decision remains to be seen.
This development adds another chapter to one of K-pop's most closely watched legal battles, which has highlighted the complex relationships between agencies, external producers, and artists in the industry.
